Play Along Piano

Tags

Baroque

Henry Purcell - Chaconne (Fairy Queen) recorder+guitar realization

Daniel Rubin

5:30	Est. Play Time
112	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder		12	0	2	6	100%
Classical Guitar		22	25	4	7	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder		12	0	2	6	100%
Classical Guitar		22	25	4	7	95%

Vivaldi's Two Ellipses

Jayden Fung

1:00	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	0	2	2	95%
Violin I	23	1	8	8	76%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	0	2	2	95%
Violin I	23	1	8	8	76%
Violin II	21	1	5	8	71%
Violin	11	2	3	10	48%

Passacaglia. JS Bach. Piano Duet

Cepheus Elf

0:48	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	2	5	77%
	17	9	2	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	2	5	77%
	17	9	2	3	100%
	17	1	3	7	100%
	14	0	2	7	76%

Thunderstruck (Intro) by 2Cellos

KellerHands

1:24	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	0	2	2	100%
		18	4	4	1	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	0	2	2	100%
		18	4	4	1	98%

Op. 27 - Double Canon

Bradley de Lucia

2:47	Est. Play Time
95	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	0	3	5	74%
	15	0	2	5	95%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	3	5	74%
	15	2	5	95%
	15	2	5	97%
	18	3	5	77%

Toccata and Fugue in D Minor

manflute2014

1:52	Est. Play Time
57	Measures
	1,047Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	17	0	4	9	56%
	24	0	6	9	83%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	17	4	9	56%
	24	6	9	83%
Alto Flute	14	2	8	69%
Piccolo	13	2	9	68%

Sound The Trumpet (Brass duet)

mcderdav

1:29	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet		12	0	2	9	90%
Horn		13	0	2	9	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet		12	0	2	9	90%
Horn		13	0	2	9	90%

Lamento della ninfa - Monteverdi

Raphaël Batôt

3:27	Est. Play Time
138	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpe	19	9	4	3	100%
	5	0	0	1	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpe	19	9	4	3	100%
	5	0	0	1	100%
Soprano	12	0	2	3	80%
Ténor	9	0	2	3	27%
	7	0	0	3	33%
Basse	9	0	0	3	31%

HWV1A3N4 - Du stolzer Erdenkreis!

edward.maurath

2:22	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
Bassoon Continuo	13	0	1	4	100%
Violoncello Continuo	13	0	1	4	92%
Violone Continuo	13	0	1	4	92%
Oboe	15	0	1	4	82%
Tutti Unisoni	15	0	1	4	82%
Bass as Consalvo	11	0	2	5	60%

Cantata: Wachet auf, ruft uns die Stimme | J.S. Bach, BWV 140

Barock

0:44	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	0	3	19%
	4	0	0	1	38%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	3	19%
	4	0	1	38%
	9	0	4	23%
	8	0	3	27%
B.c.	19	3	4	100%
Violino I	22	5	6	100%
Oboe I	14	2	6	96%
Viiolino	22	5	6	92%
Oboe II	12	0	5	77%
Taille	11	0	5	77%
Viola	13	1	5	73%
Violino II	12	0	5	73%
Corno	5	0	1	38%

HWV58A3N2 - Leave me, loathsome light

edward.maurath

3:13	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
Organ Continuo	21	10	3	5	96%
	18	2	3	3	100%
Cello Continuo	18	0	3	3	100%
Double Bass Continuo	17	0	3	3	100%
Viola	16	0	3	4	90%
Violin 1	15	0	1	3	90%
Violin 2	16	0	3	5	90%
Bass	13	0	2	6	79%

Prelude in C, BWV846 for Guitar Quartet

PreludeAndFugue

1:56	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	0	3	4	100%
	14	0	2	3	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	3	4	100%
	14	2	3	100%
	13	3	6	97%
	18	4	5	51%

Hallelujah Chorus, Messiah, Guitar Quartet in G

PreludeAndFugue

3:00	Est. Play Time
91	Measures
	1,082Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
III	13	0	1	8	98%
IV	12	0	2	8	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
III	13	1	8	98%
IV	12	2	8	97%
II	14	2	8	92%
I	12	0	8	90%

Che farò senza Euridice? — C. W. Gluck, “Orfeo ed Euridice”

Alexander Evstyugov-Babaev

3:17	Est. Play Time
67	Measures
	1,227Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
4 Violini II	14	2	2	4	99%
Cembalo	18	45	5	3	98%
	17	0	3	3	97%
2 Celli e Contrabasso	17	0	3	3	97%
Contrabasso	17	0	3	3	97%
Orfeo	15	0	4	6	82%
Effetti MIDI	7	1	1	2	4%